In filming something you are silently giving and slightly imposing your point of view, without revealing it completely.
The way you move the camera in the space aims to create a specific atmosphere and mood following a certain temporal rhythm and ideas.
My project aims to take the viewer into a journey through DYSTOPIC SPACES and DYSTOPIC ATMOSPHERES. It is not about the drama or the morality but it is all about transporting the audience into a parallel and unknown world.
This can easily be connected with the idea of the IMMERSIVE CINEMA(expanded cinema), where the viewer becomes part of the filmic set and he is transported into a journey.
Going back to the idea of Architecture being the main protagonist thanks to its powerful identity and being myself really interested in the process behind what it is called production design, my proposal is to design a DYSTOPIC FILM SET where the human presence is erased and dystopic architecture is overwhelming the scene and taking over.
The set will not be designed for a specific story as usually film sets are conceived.
Because the idea is that in my set there will be no narrative, no characters but just the dystopic buildings.
They will be the story and the characters, creating the atmosphere and the story itself.
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